{"id":893,"date":"2026-08-02T17:58:48","date_gmt":"2026-08-02T17:58:48","guid":{"rendered":"https:\/\/kamicrew.com\/blog\/wafuku-guide\/"},"modified":"2026-08-03T08:07:13","modified_gmt":"2026-08-03T08:07:13","slug":"wafuku-guide","status":"publish","type":"post","link":"https:\/\/kamicrew.com\/blog\/wafuku-guide\/","title":{"rendered":"Wafuku: What Traditional Japanese Clothing Means and Includes"},"content":{"rendered":"<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/kamicrew.com\/blog\/wp-content\/uploads\/2026\/08\/wafuku-guide-img-1-1.jpg\" alt=\"Three women wearing patterned kimono with wide obi sashes tied at the waist\" \/><figcaption>Kimono held closed by wide obi sashes<\/figcaption><\/figure>\n<p><em>Wafuku<\/em> (\u548c\u670d) is the umbrella term for traditional Japanese clothing. It covers the kimono and the summer <em>yukata<\/em>, the pleated <em>hakama<\/em> worn over them, the <em>obi<\/em> that holds everything closed, and the wooden <em>geta<\/em> and split toe <em>tabi<\/em> socks underneath. The word exists because it has an opposite: <em>yofuku<\/em> (\u6d0b\u670d), Western clothing. <em>Wafuku<\/em> is cut in straight lines and tied onto the body, while <em>yofuku<\/em> is cut on curves and sewn to fit.<\/p>\n<p>Before Japan reopened its ports in the 1860s nobody needed to draw that line, because there was only one way to dress. The position is now reversed: <em>yofuku<\/em> is what Japan wears daily, and <em>wafuku<\/em> appears on set occasions.<\/p>\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 ez-toc-wrap-center counter-hierarchy ez-toc-counter ez-toc-grey ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/kamicrew.com\/blog\/wafuku-guide\/#What_wafuku_means\" >What wafuku means<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/kamicrew.com\/blog\/wafuku-guide\/#What_separates_wafuku_from_yofuku\" >What separates wafuku from yofuku<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/kamicrew.com\/blog\/wafuku-guide\/#How_wafuku_developed_from_Yayoi_to_Meiji\" >How wafuku developed, from Yayoi to Meiji<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/kamicrew.com\/blog\/wafuku-guide\/#The_main_families_of_wafuku\" >The main families of wafuku<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/kamicrew.com\/blog\/wafuku-guide\/#Garments\" >Garments<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/kamicrew.com\/blog\/wafuku-guide\/#Footwear\" >Footwear<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/kamicrew.com\/blog\/wafuku-guide\/#Accessories\" >Accessories<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/kamicrew.com\/blog\/wafuku-guide\/#When_wafuku_is_worn_in_Japan_today\" >When wafuku is worn in Japan today<\/a><\/li><\/ul><\/nav><\/div>\n<h2><span class=\"ez-toc-section\" id=\"What_wafuku_means\"><\/span>What wafuku means<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>The two characters split the same way <em>yofuku<\/em> does on the other side of the pairing: \u548c (<em>wa<\/em>) for Japan sits opposite \u6d0b (<em>yo<\/em>) for the West, while \u670d (<em>fuku<\/em>), clothing, stays fixed in both words. Shops and older speakers favour a third term for the same category, <em>gofuku<\/em>, a holdover from when the goods in question were sold as bolts of silk rather than finished garments.<\/p>\n<p>Between them, <em>wafuku<\/em> and <em>yofuku<\/em> account for everything worn in Japan: traditional dress on one side, including the national dress, and on the other side everything not recognised as national dress or as the dress of another country.<\/p>\n<p>In loose usage <em>wafuku<\/em> is simply called kimono. That habit causes most of the confusion, because kimono is one member of the category rather than the category itself, and the word translates as nothing more specific than &#8220;thing to wear&#8221; or &#8220;thing worn on the shoulders&#8221;. Kimono also is not a single garment: the <a href=\"https:\/\/kamicrew.com\/blog\/types-of-kimono\/\">named types of kimono<\/a> run from the most formal black crested robe down to a patterned everyday <em>komon<\/em>, and the differences sit in fabric, crest count, and where the pattern falls.<\/p>\n<p>The category is broader than mainland tradition alone. The Ainu of Hokkaido have their own garment, the <em>attus<\/em>, and Ryukyuan dress, <em>ryuso<\/em>, is built from island fabrics including <em>bingata<\/em> stencil dyeing and airy <em>bashofu<\/em> woven from banana plant fibre, both documented by the <a href=\"https:\/\/www.kyohaku.go.jp\/eng\/learn\/home\/dictio\/senshoku\/ryui\/\" target=\"_blank\" rel=\"noopener\">Kyoto National Museum<\/a>.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"What_separates_wafuku_from_yofuku\"><\/span>What separates wafuku from yofuku<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><em>Wafuku<\/em> is cut in straight lines from flat panels and fitted to the wearer by wrapping the cloth and tying it. <em>Yofuku<\/em> is cut on curves and sewn to a body shape.<\/p>\n<table>\n<thead>\n<tr>\n<th>&nbsp;<\/th>\n<th>Wafuku<\/th>\n<th>Yofuku<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Cutting<\/td>\n<td>Straight lines, flat panels<\/td>\n<td>Curved cutting, shaped<\/td>\n<\/tr>\n<tr>\n<td>Fit<\/td>\n<td>Wrapped and tied on the wearer<\/td>\n<td>Sized and sewn to fit<\/td>\n<\/tr>\n<tr>\n<td>Fastening<\/td>\n<td>Himo ties plus an obi<\/td>\n<td>Buttons, zips, elastic<\/td>\n<\/tr>\n<tr>\n<td>Pockets<\/td>\n<td>None, items hang from the obi<\/td>\n<td>Built into the garment<\/td>\n<\/tr>\n<tr>\n<td>Wrap<\/td>\n<td>Left over right, always<\/td>\n<td>Not applicable<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/kamicrew.com\/blog\/wp-content\/uploads\/2026\/08\/wafuku-guide-img-2-1.jpg\" alt=\"Edo period pattern book pages showing flat straight cut kosode garment shapes\" \/><figcaption>Straight cut panels in an Edo pattern book<\/figcaption><\/figure>\n<p>The difference is structural, not decorative. Western clothing is finished three dimensionally so that it sits close to the body. <em>Wafuku<\/em> is fixed onto the body instead, by wrapping the cloth and tying it with an <em>obi<\/em>. Nothing is shaped to a waist or a shoulder, which is why <strong>one garment can fit a range of very different bodies<\/strong>: the fitting happens when you put it on, not when it is sewn.<\/p>\n<p>A kimono starts as a single bolt of fabric called a <em>tanmono<\/em>, cut to standard dimensions, and the whole bolt goes into one garment. The finished robe is four main strips, two covering the body and two forming the sleeves, plus narrow front panels and a collar, running roughly 39 to 43 inches long. Traditional construction is hand sewing, a technique called <em>wasai<\/em>, and even machine made kimono still need a good deal of it.<\/p>\n<p>Fastening works differently too. There are no buttons, no zips, and <strong>no pockets anywhere<\/strong>, so flat ties called <em>himo<\/em> hold the layers and the <em>obi<\/em> goes on last. Modern <em>obi<\/em> are stiff enough that they no longer really hold the robe shut; the <em>himo<\/em> do that. Because there is nowhere to put anything, small containers hang from the <em>obi<\/em> on a cord instead. One rule has no exceptions: the left side wraps over the right, a convention fixed by the Yoro clothing code in 718 CE in imitation of Chinese practice, and reversed only when dressing the dead. For the lower body, <a href=\"https:\/\/kamicrew.com\/blog\/hakama-guide\/\">pleated hakama trousers<\/a> go over the kimono and raise the formality of the whole outfit.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"How_wafuku_developed_from_Yayoi_to_Meiji\"><\/span>How wafuku developed, from Yayoi to Meiji<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><em>Wafuku<\/em> developed from unshaped Yayoi period garments tied at the waist and shoulders, through the small sleeved <em>kosode<\/em> of the Kofun and Heian periods, into the kimono silhouette that appeared once commoners began wearing the <em>kosode<\/em> on its own. The Edo period elaborated it. The Meiji era replaced it for daily wear.<\/p>\n<table>\n<thead>\n<tr>\n<th>Period<\/th>\n<th>Key garment<\/th>\n<th>What changed<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Yayoi<\/td>\n<td>Kantoi, wrapped cloth<\/td>\n<td>Unshaped cloth tied at the waist<\/td>\n<\/tr>\n<tr>\n<td>Kofun<\/td>\n<td>Early kosode<\/td>\n<td>Tubular sleeves, right over left<\/td>\n<\/tr>\n<tr>\n<td>Heian<\/td>\n<td>Sokutai, junihitoe, kosode<\/td>\n<td>Layered court robes, then kosode alone<\/td>\n<\/tr>\n<tr>\n<td>Edo<\/td>\n<td>Kosode, furisode<\/td>\n<td>Wider obi, longer sleeves, new dyeing<\/td>\n<\/tr>\n<tr>\n<td>Meiji<\/td>\n<td>Yofuku uniforms<\/td>\n<td>Western dress takes over daily wear<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/kamicrew.com\/blog\/wp-content\/uploads\/2026\/08\/wafuku-guide-img-3-1.jpg\" alt=\"Edo period folding screen painting of women wearing kosode as outer garments\" \/><figcaption>Kosode worn as outerwear on an Edo screen<\/figcaption><\/figure>\n<p>The earliest written description of clothing in Japan is not Japanese. The third century Chinese <em>Wei Zhi<\/em>, reporting on the Yayoi period, describes broad cloth made into unshaped garments tied about the waist and shoulders: men wrapped a single length of cloth around the body, women wore a <em>kantoi<\/em>, a garment pulled on over the head. Neither looks like <em>wafuku<\/em> yet. Sew sleeves onto a <em>kantoi<\/em>, move its opening to the front, and belt the torso, and you are most of the way there, which is thought to be roughly how <em>wafuku<\/em> came about.<\/p>\n<p>By the Kofun period the clay <em>haniwa<\/em> figures placed on burial mounds show garments resembling the <em>kosode<\/em>, the small sleeved robe that later became the base of the kimono. Sleeves and trousers were tubular, wrapped <em>mo<\/em> skirts were worn by both sexes and sometimes went over <em>hakama<\/em>, and at this stage the right side still wrapped over the left. Many of the figures wear armour, so they probably show riding or ceremonial dress rather than what anyone wore to work.<\/p>\n<p>Heian Japan stopped sending envoys to the Tang court, imported goods dried up, and the vacuum produced <em>kokufu<\/em> culture, a self contained court style. Aristocrats who did not move much wore loose layered robes, <em>hakama<\/em> below and layer upon layer above, formalised as the <em>sokutai<\/em> for men and the <em>junihitoe<\/em> for women; the layered court wardrobe has been reconstructed in detail by the <a href=\"https:\/\/www.iz2.or.jp\/english\/\" target=\"_blank\" rel=\"noopener\">Costume Museum in Kyoto<\/a>. Commoners meanwhile paired a <em>kosode<\/em> with <em>hakama<\/em>, and the <em>yukatabira<\/em>, a garment nobles put on for steam baths, is thought to be the ancestor of the <em>yukata<\/em>.<\/p>\n<p>Late in the Heian period commoners began dropping the <em>hakama<\/em> and wearing the <em>kosode<\/em> alone in a flowing <em>kinagashi<\/em> style. That is the moment the kimono silhouette arrives. As the warrior class gained power its plainer taste carried weight, and <em>kosode<\/em> with <em>hakama<\/em> became formal dress rather than working dress. The Edo period then turned the <em>kosode<\/em> into a canvas: new weaving and dyeing methods, sleeves growing longer, the <em>obi<\/em> growing much wider, and the <em>furisode<\/em> emerging from that trend. Sumptuary laws banning purple, red, gold embroidery and intricate <em>shibori<\/em> for the lower classes pushed wealth into subtler display, the aesthetic called <em>iki<\/em>.<\/p>\n<p>Then came Meiji. Policemen, railway workers and teachers were put into Western uniform, students followed, and <em>wafuku<\/em> fell out of daily use in favour of <em>yofuku<\/em>. Silk got cheaper at the same time, so the variety of <em>wafuku<\/em> actually widened even as fewer people wore it every day. The two words became a pair precisely because there were suddenly two wardrobes to choose between.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"The_main_families_of_wafuku\"><\/span>The main families of wafuku<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><em>Wafuku<\/em> divides into three layers: garments wrapped around the body, among them the kimono, <em>yukata<\/em>, <em>furisode<\/em>, <em>hakama<\/em> and <em>haori<\/em>; footwear, including <em>geta<\/em>, <em>zori<\/em> and <em>tabi<\/em>; and accessories carried on the <em>obi<\/em>, from <em>kanzashi<\/em> hair ornaments to <em>inro<\/em> cases and folding fans.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Garments\"><\/span>Garments<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<ul>\n<li><em>Kimono<\/em>, the generic robe, always worn with an <em>obi<\/em>, with formality set by fabric, decoration and the number of family crests<\/li>\n<li><em><a href=\"https:\/\/kamicrew.com\/blog\/yukata-guide\/\">Yukata<\/a><\/em>, an unlined cotton or linen version worn by men and women at summer festivals and around hot springs<\/li>\n<li><em>Furisode<\/em>, a formal kimono with <strong>sleeves that can pass a metre in length<\/strong>, worn by young unmarried women at coming of age ceremonies<\/li>\n<li><em>Tomesode<\/em> and <em>homongi<\/em>, formal women&#8217;s kimono distinguished by how far the painted pattern climbs above the waist<\/li>\n<li><em>Hakama<\/em>, long pleated trousers worn over the robe, once samurai and noble dress and now seen on martial artists, Shinto priests and graduating students<\/li>\n<li><em>Haori<\/em>, a loose jacket, usually plain on the outside and originally menswear before women took it up<\/li>\n<li><em>Samue<\/em> and <em>jinbei<\/em>, monks&#8217; work clothes and summer loungewear respectively, both now sold as going out clothes<\/li>\n<\/ul>\n<p>The two wardrobes part company at the level of naming: women&#8217;s traditional wear carries a long ladder of separately named formality grades, while men&#8217;s traditional wear varies mostly by fabric, crest count and whether <em>hakama<\/em> are worn at all.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Footwear\"><\/span>Footwear<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/kamicrew.com\/blog\/wp-content\/uploads\/2026\/08\/wafuku-guide-img-5-1.jpg\" alt=\"Pair of wooden geta sandals raised on two teeth with fabric hanao straps\" \/><figcaption>Geta raised on wooden teeth, with hanao straps<\/figcaption><\/figure>\n<ul>\n<li><em><a href=\"https:\/\/kamicrew.com\/blog\/geta-sandals-guide\/\">Geta<\/a><\/em>, wooden sandals, often raised on <em>ha<\/em> (teeth) that keep the feet clear of rain and snow<\/li>\n<li><em>Zori<\/em>, flat soled sandals whose straps, called <em>hanao<\/em>, get embroidered and metallic on formal pairs<\/li>\n<li><em>Tabi<\/em>, ankle socks with the big toe split off, closed with metal fasteners at the back<\/li>\n<li><em>Jika-tabi<\/em>, rubber soled split toe shoes invented for workers in the early twentieth century<\/li>\n<li><em>Waraji<\/em>, rice straw sandals laced at the ankle<\/li>\n<li><em>Okobo<\/em>, tall platform sandals worn mainly by <em>maiko<\/em>, with strap colour signalling how experienced the wearer is<\/li>\n<\/ul>\n<h3><span class=\"ez-toc-section\" id=\"Accessories\"><\/span>Accessories<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<ul>\n<li><em>Obi<\/em>, the sash, where the knot type and whether it sits front or back once read as a statement of social status<\/li>\n<li><em>Kanzashi<\/em>, hair ornaments ranging from a plain pin to elaborate silk, metal or tortoiseshell pieces<\/li>\n<li><em>Sagemono<\/em>, literally hanging things, the compartmented <em>inro<\/em> case, the drawstring <em>kinchaku<\/em> bag and the slim <em>kiseru<\/em> pipe, all suspended from the <em>obi<\/em> by a cord stopped with a carved <em>netsuke<\/em><\/li>\n<li><em>Sensu<\/em> and <em>uchiwa<\/em>, the folding and rigid fans, still standard for kabuki and noh performers<\/li>\n<li><em>Wagasa<\/em>, a handmade umbrella of oiled <em>washi<\/em> paper stretched over 30 to 70 bamboo ribs<\/li>\n<\/ul>\n<h2><span class=\"ez-toc-section\" id=\"When_wafuku_is_worn_in_Japan_today\"><\/span>When wafuku is worn in Japan today<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><em>Wafuku<\/em> is occasion dress in Japan today rather than daily wear. It appears at coming of age ceremonies, weddings, funerals, memorial services, graduations, the New Year period, and <em>Shichi-go-san<\/em> for children aged three, five and seven, and most often as a cotton <em>yukata<\/em> at summer festivals. Geisha, <em>maiko<\/em> and sumo wrestlers wear it as professional dress.<\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/kamicrew.com\/blog\/wp-content\/uploads\/2026\/08\/wafuku-guide-img-4-1.jpg\" alt=\"Two women in kimono with pleated hakama skirts and zori sandals at a graduation\" \/><figcaption>Kimono and hakama worn to a graduation ceremony<\/figcaption><\/figure>\n<p>Many families still keep one formal kimono passed down for exactly these dates rather than buying new for each event, with rental shops filling the gap for everyone else and turning the tradition into part of the sightseeing experience, particularly in Kyoto.<\/p>\n<p>The cotton <em>yukata<\/em> wins out over a lined kimono in summer heat mainly because it breathes and launders easily after a night of festival food and standing crowds, which is also why it is the one piece of <em>wafuku<\/em> most first time visitors try on themselves.<\/p>\n<p>Traditional clothing in Japan has a reputation for being difficult and expensive, and the elaborate rules behind that reputation apply to formal dress only. Worn as everyday clothing there are no complicated rules at all, and Edo period townspeople were known for walking around in a deliberately relaxed, slightly undone version. Rental shops now stock lace kimono, and some makers cut <em>wafuku<\/em> from denim, so the category is loosening again rather than closing.<\/p>\n<p>Kamicrew designs shirts, hoodies and kimono style jackets around the same visual language that ran across Edo period <em>kosode<\/em>. If a full traditional outfit is more than you want to commit to, carrying cranes, waves and <a href=\"https:\/\/kamicrew.com\/collections\/ukiyo-e-shirt\">ukiyo-e scenes<\/a> on everyday clothes is a smaller way into the same tradition.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kimono held closed by wide obi sashes Wafuku (\u548c\u670d) is the umbrella term for traditional Japanese clothing. It covers the kimono and the summer yukata, the pleated hakama worn over them, the obi that holds everything closed, and the wooden geta and split toe tabi socks underneath. The word exists because it has an opposite: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":887,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-893","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-traditional-clothing"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/kamicrew.com\/blog\/wp-json\/wp\/v2\/posts\/893","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kamicrew.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kamicrew.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kamicrew.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kamicrew.com\/blog\/wp-json\/wp\/v2\/comments?post=893"}],"version-history":[{"count":1,"href":"https:\/\/kamicrew.com\/blog\/wp-json\/wp\/v2\/posts\/893\/revisions"}],"predecessor-version":[{"id":904,"href":"https:\/\/kamicrew.com\/blog\/wp-json\/wp\/v2\/posts\/893\/revisions\/904"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kamicrew.com\/blog\/wp-json\/wp\/v2\/media\/887"}],"wp:attachment":[{"href":"https:\/\/kamicrew.com\/blog\/wp-json\/wp\/v2\/media?parent=893"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kamicrew.com\/blog\/wp-json\/wp\/v2\/categories?post=893"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kamicrew.com\/blog\/wp-json\/wp\/v2\/tags?post=893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}