{"id":1159,"date":"2026-08-14T10:14:32","date_gmt":"2026-08-14T10:14:32","guid":{"rendered":"https:\/\/kamicrew.com\/blog\/?p=1159"},"modified":"2026-08-14T10:14:32","modified_gmt":"2026-08-14T10:14:32","slug":"susanoo-no-mikoto-storm-god","status":"publish","type":"post","link":"https:\/\/kamicrew.com\/blog\/susanoo-no-mikoto-storm-god\/","title":{"rendered":"Susanoo no Mikoto: Japan&#8217;s Storm God and the Serpent He Killed"},"content":{"rendered":"<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/kamicrew.com\/blog\/wp-content\/uploads\/2026\/08\/susanoo-no-mikoto-cover.jpg\" alt=\"Woodblock print of Susanoo raising his sword at the eight-forked serpent above breaking waves\" width=\"1280\" height=\"633\" \/><figcaption>Susanoo facing the eight-forked serpent in Izumo<\/figcaption><\/figure>\n<p>Susanoo no Mikoto (\u9808\u4f50\u4e4b\u7537\u547d) is the Japanese god of storms and the sea, a Shinto kami born from the nose of the creator god <a href=\"https:\/\/kamicrew.com\/blog\/izanagi\/\">Izanagi<\/a> and thrown out of heaven for wrecking his sister&#8217;s rice fields. He is the deity who killed Yamata no Orochi, the eight-headed serpent, and pulled the sword Kusanagi out of its tail. In Izumo the same god becomes a husband, a poet, and the ancestor of the ruler of the land.<\/p>\n<p>Susanoo is also the kami the sources agree on least. In heaven he is a vandal who howls for his dead mother until the mountains dry up. In Izumo he is a dragon-slayer who governs well. Kokugakuin University&#8217;s <a href=\"https:\/\/d-museum.kokugakuin.ac.jp\/eos\/detail\/?id=9152\" target=\"_blank\" rel=\"noopener\">Encyclopedia of Shinto<\/a> puts the contradiction plainly: disruptive in the heavenly realms, yet in Izumo the god who brought orderly rule to the area.<\/p>\n<table>\n<thead>\n<tr>\n<th>Susanoo no Mikoto<\/th>\n<th>Detail<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Domain<\/td>\n<td>Storms, wind, rain and the sea<\/td>\n<\/tr>\n<tr>\n<td>Japanese name<\/td>\n<td>\u9808\u4f50\u4e4b\u7537\u547d (Kojiki), \u7d20\u6214\u55da\u5c0a (Nihon Shoki)<\/td>\n<\/tr>\n<tr>\n<td>Parents<\/td>\n<td>Izanagi alone in the Kojiki, Izanagi and Izanami in the Nihon Shoki<\/td>\n<\/tr>\n<tr>\n<td>Siblings<\/td>\n<td>Amaterasu, the sun, and Tsukuyomi, the moon<\/td>\n<\/tr>\n<tr>\n<td>Best known myth<\/td>\n<td>Killing Yamata no Orochi, the eight-forked serpent, in Izumo<\/td>\n<\/tr>\n<tr>\n<td>Weapon and prize<\/td>\n<td>A ten-span sword, and Kusanagi-no-Tsurugi taken from the serpent&#8217;s tail<\/td>\n<\/tr>\n<tr>\n<td>Wives<\/td>\n<td>Kushinadahime, and Kamuoichihime<\/td>\n<\/tr>\n<tr>\n<td>Notable descendant<\/td>\n<td>Okuninushi, ruler of the land<\/td>\n<\/tr>\n<tr>\n<td>Alternate identity<\/td>\n<td>Gozu Tenno, the Ox-Headed Heavenly King<\/td>\n<\/tr>\n<tr>\n<td>Chief shrines<\/td>\n<td>Yasaka Shrine (Kyoto), Susa and Suga Shrines (Shimane), Hikawa Shrine (Saitama)<\/td>\n<\/tr>\n<tr>\n<td>Primary sources<\/td>\n<td>Kojiki (around 712), Nihon Shoki, Izumo Fudoki<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_86 ez-toc-wrap-center counter-hierarchy ez-toc-counter ez-toc-grey ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/kamicrew.com\/blog\/susanoo-no-mikoto-storm-god\/#Who_Susanoo_Is_in_Japanese_Mythology\" >Who Susanoo Is in Japanese Mythology<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/kamicrew.com\/blog\/susanoo-no-mikoto-storm-god\/#What_the_Name_Susanoo_Means\" >What the Name Susanoo Means<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/kamicrew.com\/blog\/susanoo-no-mikoto-storm-god\/#How_Susanoo_Was_Born_and_Why_He_Was_Cast_Out\" >How Susanoo Was Born and Why He Was Cast Out<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/kamicrew.com\/blog\/susanoo-no-mikoto-storm-god\/#The_Oath_Contest_With_Amaterasu\" >The Oath Contest With Amaterasu<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/kamicrew.com\/blog\/susanoo-no-mikoto-storm-god\/#The_Rampage_in_Heaven_and_the_Rock_Cave\" >The Rampage in Heaven and the Rock Cave<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/kamicrew.com\/blog\/susanoo-no-mikoto-storm-god\/#How_Susanoo_Killed_Yamata_no_Orochi\" >How Susanoo Killed Yamata no Orochi<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/kamicrew.com\/blog\/susanoo-no-mikoto-storm-god\/#The_Sword_Kusanagi_and_the_Imperial_Regalia\" >The Sword Kusanagi and the Imperial Regalia<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/kamicrew.com\/blog\/susanoo-no-mikoto-storm-god\/#Susanoo_in_Izumo_Kushinadahime_Suga_and_His_Descendants\" >Susanoo in Izumo: Kushinadahime, Suga, and His Descendants<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/kamicrew.com\/blog\/susanoo-no-mikoto-storm-god\/#Susanoo_Gozu_Tenno_and_the_Gion_Cult\" >Susanoo, Gozu Tenno, and the Gion Cult<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/kamicrew.com\/blog\/susanoo-no-mikoto-storm-god\/#Where_Susanoo_Is_Worshipped\" >Where Susanoo Is Worshipped<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-11\" href=\"https:\/\/kamicrew.com\/blog\/susanoo-no-mikoto-storm-god\/#Why_Susanoo_Is_Both_Villain_and_Hero\" >Why Susanoo Is Both Villain and Hero<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-12\" href=\"https:\/\/kamicrew.com\/blog\/susanoo-no-mikoto-storm-god\/#Susanoo_in_Modern_Culture\" >Susanoo in Modern Culture<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-13\" href=\"https:\/\/kamicrew.com\/blog\/susanoo-no-mikoto-storm-god\/#FAQs\" >FAQs<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-14\" href=\"https:\/\/kamicrew.com\/blog\/susanoo-no-mikoto-storm-god\/#What_is_Susanoo_the_god_of\" >What is Susanoo the god of?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-15\" href=\"https:\/\/kamicrew.com\/blog\/susanoo-no-mikoto-storm-god\/#Is_Susanoo_good_or_evil\" >Is Susanoo good or evil?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-16\" href=\"https:\/\/kamicrew.com\/blog\/susanoo-no-mikoto-storm-god\/#Who_are_Susanoos_parents\" >Who are Susanoo&#8217;s parents?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-17\" href=\"https:\/\/kamicrew.com\/blog\/susanoo-no-mikoto-storm-god\/#What_is_Yamata_no_Orochi\" >What is Yamata no Orochi?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-18\" href=\"https:\/\/kamicrew.com\/blog\/susanoo-no-mikoto-storm-god\/#Is_Susanoo_the_same_god_as_Gozu_Tenno\" >Is Susanoo the same god as Gozu Tenno?<\/a><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<h2><span class=\"ez-toc-section\" id=\"Who_Susanoo_Is_in_Japanese_Mythology\"><\/span>Who Susanoo Is in Japanese Mythology<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Susanoo no Mikoto is one of the three noble children (\u4e09\u8cb4\u5b50) produced when Izanagi purified himself after fleeing Yomi, the land of the dead. His elder sister <a href=\"https:\/\/kamicrew.com\/blog\/amaterasu-sun-goddess\/\">Amaterasu<\/a> came from Izanagi&#8217;s left eye and took the sun, <a href=\"https:\/\/kamicrew.com\/blog\/tsukuyomi-japanese-moon-god\/\">Tsukuyomi<\/a> came from the right eye and took the night, and Susanoo came from the nose and was handed the sea plain.<\/p>\n<p>He never ruled it. Storm, wind and rain are his element rather than his office, and the myths spend far more time on what he destroys and what he kills than on any throne he occupies. His story survives in the two oldest chronicles of <a href=\"https:\/\/kamicrew.com\/blog\/japanese-folklore\/\">Japanese folklore<\/a>, the Kojiki of around 712 and the Nihon Shoki, plus the regional Izumo Fudoki, and each of the three gives him a slightly different character.<\/p>\n<p>Later tradition attached him to a second identity altogether, the pestilence god Gozu Tenno, and that is the form in which millions of people still encounter him at Yasaka Shrine in Kyoto every July.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"What_the_Name_Susanoo_Means\"><\/span>What the Name Susanoo Means<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>The name Susanoo has no settled meaning, and the four leading readings pull in opposite directions: violence, advance, a place name, and a Korean loanword. One takes susa from the verb susabu or susamu, to go wild or be violent, which suits the god who was exorcised out of heaven. Another takes it from susumu, to advance. A third drops mythology entirely and points at Susa (\u9808\u4f50\u90f7), a township in the Iishi district of Izumo Province, in what is now Shimane, making the name simply the man of Susa. A fourth looks across the sea to the Middle Korean susung, master or shaman.<\/p>\n<p>The rest of the name is easier. Mikoto is an honorific title, and the prefixes that attach to it in different manuscripts are compliments: take (\u5efa) for brave, haya (\u901f) for swift, kamu (\u795e) for divine.<\/p>\n<table>\n<thead>\n<tr>\n<th>Name<\/th>\n<th>Japanese<\/th>\n<th>What it signals<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Susanoo-no-Mikoto<\/td>\n<td>\u9808\u4f50\u4e4b\u7537\u547d, \u7d20\u6214\u55da\u5c0a<\/td>\n<td>The standard form, spelled differently in the Kojiki and the Nihon Shoki<\/td>\n<\/tr>\n<tr>\n<td>Takehaya-Susanoo-no-Mikoto<\/td>\n<td>\u5efa\u901f\u9808\u4f50\u4e4b\u7537\u547d<\/td>\n<td>The brave and swift Susanoo, a Kojiki variant<\/td>\n<\/tr>\n<tr>\n<td>Kamu-Susanoo-no-Mikoto<\/td>\n<td>\u795e\u9808\u4f50\u80fd\u8881\u547d<\/td>\n<td>The divine Susanoo, used in the Fudoki<\/td>\n<\/tr>\n<tr>\n<td>Kushimikenu-no-Mikoto<\/td>\n<td>\u6adb\u5fa1\u6c17\u91ce\u547d<\/td>\n<td>The name he is enshrined under at Kumano Taisha in Izumo<\/td>\n<\/tr>\n<tr>\n<td>Muto-no-Kami<\/td>\n<td>\u6b66\u5854\u795e<\/td>\n<td>The traveling god of the Somin Shorai legend<\/td>\n<\/tr>\n<tr>\n<td>Gozu Tenno<\/td>\n<td>\u725b\u982d\u5929\u738b<\/td>\n<td>Ox-Headed Heavenly King, the medieval Buddhist identification<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2><span class=\"ez-toc-section\" id=\"How_Susanoo_Was_Born_and_Why_He_Was_Cast_Out\"><\/span>How Susanoo Was Born and Why He Was Cast Out<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Susanoo no Mikoto was born from Izanagi&#8217;s nose, and he was cast out of heaven for refusing the post he was given. Izanagi, filthy from the underworld where he had failed to bring his wife Izanami back, washed himself in a river, and three great kami came out of his face. Susanoo, from the nose, received the seas to rule.<\/p>\n<p>He refused to go near them. Instead he wept and howled for his mother until his beard grew long down his chest, and while he cried the mountains withered and the rivers ran dry. The Encyclopedia of Shinto records the reason he gave: he wanted to visit the underworld rather than rule the sea plain. Izanagi expelled him with what the Kojiki calls a divine expulsion (\u795e\u9010).<\/p>\n<p>The Nihon Shoki tells it with both parents present and a different sibling order, and one of its variants dispenses with the ablution entirely.<\/p>\n<table>\n<thead>\n<tr>\n<th>Account<\/th>\n<th>Parents<\/th>\n<th>How he was born<\/th>\n<th>Why he was expelled<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Kojiki<\/td>\n<td>Izanagi alone<\/td>\n<td>From the nose, as Izanagi washed after Yomi<\/td>\n<td>He wept for his mother instead of ruling the sea, and withered the land<\/td>\n<\/tr>\n<tr>\n<td>Nihon Shoki, main account<\/td>\n<td>Izanagi and Izanami<\/td>\n<td>Fourth, after Amaterasu, Tsukuyomi and the leech-child Hiruko<\/td>\n<td>His wailing laid the land waste, so he was sent to Ne-no-Kuni<\/td>\n<\/tr>\n<tr>\n<td>Nihon Shoki, first variant<\/td>\n<td>Izanagi alone<\/td>\n<td>Izanagi held a bronze mirror in each hand, then turned his head sideways<\/td>\n<td>His destructive nature<\/td>\n<\/tr>\n<tr>\n<td>Nihon Shoki, second variant<\/td>\n<td>Izanagi and Izanami<\/td>\n<td>Fourth child, before the fire god Kagutsuchi<\/td>\n<td>A wicked nature, always fond of wailing and wrath<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2><span class=\"ez-toc-section\" id=\"The_Oath_Contest_With_Amaterasu\"><\/span>The Oath Contest With Amaterasu<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>The oath contest, or ukehi, was a trial by pledge Susanoo proposed to prove he had come to heaven in peace. Each god chewed an object belonging to the other and spat out children, three goddesses from his sword and five male gods from her beads, and the two then disagreed about whose children they were.<\/p>\n<p>Before leaving, Susanoo climbed to Takamagahara to say goodbye to Amaterasu, and the mountains and rivers shook as he came. She did not believe him. She tied up her hair, put on male clothing and armour, and waited, so he proposed the ukehi to prove his intentions were clean.<\/p>\n<p>The trial worked by exchange. Amaterasu took her brother&#8217;s ten-span sword, broke it into three, chewed the pieces and spat out three goddesses: Takiribime, Ichikishimahime and Tagitsuhime, the deities of Munakata. Susanoo took the strings of magatama beads from her hair and wrists, chewed them and spat out five male gods, the eldest of them Ame-no-Oshihomimi.<\/p>\n<p>Then came the argument that starts everything else. Amaterasu claimed the five boys as her own children, because they had come from her beads, and gave Susanoo the three goddesses, born from his sword. Susanoo announced that the gentle male children proved his heart was pure and that he had won.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"The_Rampage_in_Heaven_and_the_Rock_Cave\"><\/span>The Rampage in Heaven and the Rock Cave<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/kamicrew.com\/blog\/wp-content\/uploads\/2026\/08\/susanoo-amaterasu-rock-cave.jpg\" alt=\"Woodblock triptych of Amaterasu emerging in rays of light from the heavenly rock cave\" width=\"1280\" height=\"650\" \/><figcaption>The gods coax the sun back out of Ama-no-Iwato<\/figcaption><\/figure>\n<p>Susanoo&#8217;s rampage in Takamagahara is the offence that darkened the world. Declaring victory made him worse: he broke down the ridges between Amaterasu&#8217;s rice fields, filled in her irrigation ditches, defecated in her palace, then flayed the heavenly piebald horse (\u5929\u6591\u99d2) and hurled the hide through the roof of her weaving hall, where it killed one of the weaving maidens.<\/p>\n<p>Amaterasu shut herself inside Ama-no-Iwato, the heavenly rock cave, and heaven and earth went dark. It took the assembled kami, led by Omoikane, to coax the sun back out.<\/p>\n<p>The eight hundred myriad deities then deliberated and sentenced Susanoo: a fine of a thousand tables of restitutive gifts, his beard cut off, the nails of his hands and feet removed, and a divine expulsion. Scholars have read that last clause two ways, either as corporal punishment or as an exorcism that scrubs the pollution off him and turns a destroyer into a giver of life.<\/p>\n<p>His offences were not random vandalism. Five of them appear by name in the list of eight heavenly sins recited in the Oharae, the Great Exorcism prayer of the Nakatomi priests: breaking down ridges, covering up ditches, releasing sluices, flaying alive, flaying backward, defecation. Ancient Japan treated damage to a rice field as gravely as ritual pollution, which is exactly why the story is told about a god.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"How_Susanoo_Killed_Yamata_no_Orochi\"><\/span>How Susanoo Killed Yamata no Orochi<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/kamicrew.com\/blog\/wp-content\/uploads\/2026\/08\/susanoo-yamata-no-orochi-triptych.jpg\" alt=\"Triptych showing Susanoo with drawn sword, the sake vats, the serpent, and Kushinadahime with her parents\" width=\"1280\" height=\"619\" \/><figcaption>Susanoo, the eight vats of sake, and Kushinadahime with her parents<\/figcaption><\/figure>\n<p>Susanoo killed Yamata no Orochi by getting it drunk. He brewed sake eight times over, filled eight vats, set one on a platform at each gate of an eight-gated fence, and waited while the eight-forked serpent put a head in every vat and fell asleep. He then cut it apart with his ten-span sword and found the sword Kusanagi inside its middle tail.<\/p>\n<p>Expelled from heaven, Susanoo came down at Torikami on the headwaters of the river Hi in Izumo, the modern Hii in Shimane, and found an old couple weeping. Ashinazuchi and Tenazuchi had eight daughters. Yamata no Orochi (\u516b\u5c90\u5927\u86c7), the eight-forked serpent, had eaten seven of them, and was due back for the last, Kushinadahime.<\/p>\n<p>Susanoo asked for the girl in exchange for the serpent, turned her into a comb and hid her in his hair, then built the fence and set out the vats.<\/p>\n<p>The serpent arrived, put a head in every vat, drank, and fell asleep. Susanoo drew his ten-span sword and cut it apart until the river ran with blood. When he reached the middle tail his blade chipped, so he cut deeper with the broken edge and found a great sharp sword inside the flesh.<\/p>\n<p>Both chronicles agree on the shape of the trick and differ on the details. The Nihon Shoki moves the fight to the river E in Aki Province, today the Gonokawa in Hiroshima, and in one telling Kushinadahime has not even been born when the serpent dies.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"The_Sword_Kusanagi_and_the_Imperial_Regalia\"><\/span>The Sword Kusanagi and the Imperial Regalia<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>The sword Susanoo pulled from the serpent&#8217;s tail became one of the three Imperial Regalia of Japan, which is how a storm god ended up woven into the Japanese monarchy. It is called Ame-no-Murakumo-no-Tsurugi (\u5929\u53e2\u96f2\u5263), the Sword of the Gathering Clouds of Heaven, and Kusanagi-no-Tsurugi (\u8349\u8599\u5263), the Grass-Cutting Sword, and it appears under harsher names too, among them Orochi-no-Aramasa and Ame-no-Habakiri.<\/p>\n<p>Susanoo sent it up to Amaterasu as a reconciliatory gift. She passed it to her grandson Ninigi along with the mirror Yata no Kagami and the jewel Yasakani no Magatama, and those three objects are the Imperial Regalia of Japan.<\/p>\n<p>Where the sword itself sits is a question the sources do not answer together. The Kojiki tradition traces it to the Isonokami Futsumitama shrine in Bizen, in modern Okayama, and then to Isonokami Shrine in Yamato, in modern Nara. Popular deity profiles instead place it at Amaterasu&#8217;s shrine at Ise. Anyone claiming to know for certain where the physical blade is has gone beyond what the texts support.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Susanoo_in_Izumo_Kushinadahime_Suga_and_His_Descendants\"><\/span>Susanoo in Izumo: Kushinadahime, Suga, and His Descendants<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>In Izumo the dragon-slayer settles down. Susanoo married Kushinadahime, built a palace at Suga, composed what Japanese tradition treats as the first poem, and fathered the line that produced Okuninushi, the god who rules the land. His children by a second wife include a harvest god and an agriculture god, and the Izumo Fudoki names a further cluster of local children.<\/p>\n<p>Walking through Izumo looking for somewhere to build he arrived at a place and said that coming here his heart felt refreshed, sugasugashi, so he named it Suga and raised a palace. There he composed five lines about clouds rising over Izumo and a many-fenced palace built to dwell in with his wife. Their son in the Kojiki is Yashimajinumi; in the Nihon Shoki&#8217;s main narrative the child is Onamuchi, the god the Kojiki knows as Okuninushi.<\/p>\n<p>Susanoo also fathered a harvest god and an agriculture god, Otoshi and Ukanomitama, by a second wife, Kamuoichihime, daughter of the mountain god Oyamatsumi. The Izumo Fudoki adds a whole cluster of local children whose names explain the names of townships: Tsurugihiko at Yamaguchi, Kunioshiwake at Katae, Iwasakahiko at Etomo, Yanowakahime at Yano.<\/p>\n<p>In the Kojiki, Okuninushi is Susanoo&#8217;s sixth-generation descendant rather than his son, and he arrives in Ne-no-Kuni as a fugitive courting Susanoo&#8217;s daughter Suseribime. Susanoo puts him through four trials, a chamber of snakes, a room of centipedes and bees, a burning field, and a session picking vermin out of the old god&#8217;s hair. Okuninushi survives them all with his wife&#8217;s help, ties the sleeping Susanoo&#8217;s hair to the rafters and runs off with the daughter, the sword, the koto and the bow. Susanoo, chasing him to the slope of Yomi, gives up and gives his blessing, telling him to take the name Okuninushi, master of the great land.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Susanoo_Gozu_Tenno_and_the_Gion_Cult\"><\/span>Susanoo, Gozu Tenno, and the Gion Cult<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Susanoo and Gozu Tenno, the Ox-Headed Heavenly King, were worshipped as one deity for centuries, which is why the Susanoo most Japanese people meet is not the one in the Kojiki. Gozu Tenno was a foreign-derived pestilence god venerated from the Heian period as a power that both sent and lifted epidemics, and over the centuries he and Susanoo were treated as the same being.<\/p>\n<p>The bridge between them is a folktale. A traveling god named Muto, journeying to court the daughter of the god of the southern sea, was refused lodging by a rich man and taken in by a poor one, Somin Shorai. Years later he came back, destroyed the rich man&#8217;s household, and spared his host, giving the family a token that kept plague away. Talismans reading &#8220;I am a descendant of Somin Shorai&#8221; work on that promise. The Bingo Fudoki, a Nara period text, has Muto identify himself outright as Susanoo, which means the merger was already underway well over a thousand years ago; the explicit pairing with Gozu Tenno turns up later, in the Kamakura period.<\/p>\n<p>Some scholars find Korea inside all three names, reading Muto against the Korean mudang for shamaness, Gozu as a calque of the Korean place name Bull&#8217;s Head, and susa against susung. It fits an odd episode in the Nihon Shoki where Susanoo, expelled from heaven, first lands at Soshimori in Silla with his son Isotakeru, dislikes it, and crosses to Izumo in a boat of clay.<\/p>\n<p>The Meiji government&#8217;s 1868 separation of Shinto and Buddhism forced the two identities apart again. The shrines kept Susanoo and let Gozu Tenno go.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Where_Susanoo_Is_Worshipped\"><\/span>Where Susanoo Is Worshipped<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/kamicrew.com\/blog\/wp-content\/uploads\/2026\/08\/susanoo-yasaka-shrine-kyoto.jpg\" alt=\"Vermilion main hall of Yasaka Shrine in the Gion district of Kyoto\" width=\"1280\" height=\"787\" \/><figcaption>The main hall at Yasaka Shrine, head of the Gion cult<\/figcaption><\/figure>\n<p>Susanoo is worshipped across three shrine networks. The Izumo group sits on the ground his myths name, in Shimane, and worships the dragon-slayer and the husband. The Gion group descends from the pestilence cult and spreads across the country from Kyoto and Aichi. The Hikawa shrines of the old Musashi Province, around Saitama and Tokyo, pair him with Kushinadahime and make him a patron of love and marriage.<\/p>\n<p><a href=\"https:\/\/www.yasaka-jinja.or.jp\/en\/about\/\" target=\"_blank\" rel=\"noopener\">Yasaka Shrine in Kyoto&#8217;s Gion district<\/a> names Susanoo as its enshrined deity and records that he was formerly called Gozu Tenno, that the district and the old name Gion Shrine both come from that identification, and that the Gion Matsuri began roughly 1,150 years ago in the Heian period as a prayer for epidemics to subside.<\/p>\n<table>\n<thead>\n<tr>\n<th>Shrine<\/th>\n<th>Location<\/th>\n<th>What it is to Susanoo<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Susa Shrine<\/td>\n<td>Izumo, Shimane<\/td>\n<td>Built where the Izumo Fudoki says he left his spirit to rest<\/td>\n<\/tr>\n<tr>\n<td>Suga Shrine<\/td>\n<td>Unnan, Shimane<\/td>\n<td>Stands on the site of the palace he built after killing the serpent<\/td>\n<\/tr>\n<tr>\n<td>Yaegaki Shrine<\/td>\n<td>Matsue, Shimane<\/td>\n<td>Named for the eightfold fence of his poem, where he hid Kushinadahime<\/td>\n<\/tr>\n<tr>\n<td>Kumano Taisha<\/td>\n<td>Matsue, Shimane<\/td>\n<td>Ichinomiya of Izumo, worships him as Kushimikenu-no-Mikoto<\/td>\n<\/tr>\n<tr>\n<td>Yasaka Shrine<\/td>\n<td>Gion, Kyoto<\/td>\n<td>Head of the Yasaka network, the old Gion Shrine of Gozu Tenno<\/td>\n<\/tr>\n<tr>\n<td>Tsushima Shrine<\/td>\n<td>Tsushima, Aichi<\/td>\n<td>Head of the Tsushima network, also a Gozu Tenno centre<\/td>\n<\/tr>\n<tr>\n<td>Hikawa Shrine<\/td>\n<td>Omiya, Saitama<\/td>\n<td>Centre of the Musashi Hikawa network, Susanoo with Kushinadahime<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Kumano Taisha holds one tradition the others do not. It keeps the ancient fire-making tools, a hand drill and a hearthboard, and lights them again every October at the Kiribi festival.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Why_Susanoo_Is_Both_Villain_and_Hero\"><\/span>Why Susanoo Is Both Villain and Hero<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Susanoo reads as both villain and hero because his own sources disagree about him: the Kojiki and Nihon Shoki make him a polluting vandal, the Izumo Fudoki and the Izumo myths make him a founder. Japanese scholarship has taken four positions on why, blaming his birth, politics, editorial inversion, and the double nature of rain.<\/p>\n<p>The split in his character is old enough to have its own literature. The Edo scholar Motoori Norinaga simply called him evil and blamed his birth, arguing that the unclean air of Yomi clung to Izanagi&#8217;s nose. Tsuda Sokichi read the whole thing politically, with Amaterasu standing for the throne and Susanoo for everything that rebels against it.<\/p>\n<p>Others argue the chronicles inverted him. Matsumura Takeo thought the Izumo Fudoki preserved the original: a peaceful rice-field kami whose character the Kojiki compilers deliberately reversed. On that reading the name is not a description of violence at all, and Susanoo is simply the man of Susa, named after the place where the Fudoki says he chose to leave his name rather than attach it to rocks and trees.<\/p>\n<p>Emilia Gadeleva&#8217;s rain-god argument explains the ambivalence without picking a side. Rain in the right quantity feeds the harvest and rain in the wrong quantity brings flood, drought and epidemic, so a rain deity carries blessing and disaster in the same hands. It also makes sense of Ne-no-Kuni, the land of roots he is sent to, which she reads as a place of rebirth that later got confused with Yomi and its uncleanness. Matsumae Takeshi puts his origins somewhere else again, with the seafarers of Kii Province, where another settlement called Susa existed, and treats him as a sailors&#8217; god whose worship traveled by boat.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Susanoo_in_Modern_Culture\"><\/span>Susanoo in Modern Culture<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/kamicrew.com\/blog\/wp-content\/uploads\/2026\/08\/susanoo-iwami-kagura-orochi.jpg\" alt=\"Iwami kagura performer as Susanoo above coiled serpent costumes in stage smoke\" width=\"1280\" height=\"777\" \/><figcaption>The Orochi dance in Iwami kagura, serpent bodies and all<\/figcaption><\/figure>\n<p>Modern culture borrows Susanoo for the sword and the storm rather than the rice fields. He survives in three places at once: regional Shinto performance in Shimane, Edo puppet theatre, and Japanese games and anime, where the serpent fight and the drawn sword are the parts that get reused.<\/p>\n<p>The serpent fight has never stopped being performed. Iwami kagura in Shimane still stages Orochi, with the eight-forked serpent built as a set of long coiling bodies that swallow the stage, and Chikamatsu Monzaemon turned the same myth into the joruri puppet play Nihon Furisode Hajime.<\/p>\n<ul>\n<li>Naruto gives Susanoo&#8217;s name to a giant chakra avatar summoned by its strongest characters.<\/li>\n<li>Final Fantasy XIV makes him a primal players fight.<\/li>\n<li>BlazBlue uses Susanoo as the vessel of the villain Yuki Terumi.<\/li>\n<li>The animated film The Little Prince and the Eight-Headed Dragon retells the Orochi myth directly.<\/li>\n<\/ul>\n<p>The iconography that comes with him is consistent, and it is why he keeps showing up on clothing: wild hair, a beard, a drawn sword, a serpent coiling out of the water behind him. If a storm god with a sword and an eight-headed dragon is the kind of thing you would rather wear than read about, <a href=\"https:\/\/kamicrew.com\/\">Kamicrew&#8217;s mythology range<\/a> is built for exactly that.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"FAQs\"><\/span>FAQs<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<h3><span class=\"ez-toc-section\" id=\"What_is_Susanoo_the_god_of\"><\/span>What is Susanoo the god of?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Susanoo is the god of storms and the sea, with wind and rain as his working element. The Encyclopedia of Shinto ties him specifically to wind and rain, and popular profiles add thunder, lightning and dominion over lesser spirits. The sea plain was formally assigned to him by Izanagi, but he never took the post.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Is_Susanoo_good_or_evil\"><\/span>Is Susanoo good or evil?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Both, depending on which text you read. In Takamagahara he is a vandal who is fined, shaved, stripped of his nails and expelled, while the Izumo Fudoki and the Izumo myths show him killing the serpent, marrying, composing poetry and governing well. Several scholars argue the destructive version was written over an older, peaceful rice-field kami.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Who_are_Susanoos_parents\"><\/span>Who are Susanoo&#8217;s parents?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>The Kojiki gives him one parent, Izanagi, since he was born from Izanagi&#8217;s nose during a purification bath after the flight from Yomi. The Nihon Shoki names both Izanagi and Izanami as his parents and lists him as their fourth child, after Amaterasu, Tsukuyomi and the leech-child Hiruko.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"What_is_Yamata_no_Orochi\"><\/span>What is Yamata no Orochi?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Yamata no Orochi (\u516b\u5c90\u5927\u86c7) is the eight-forked serpent of Izumo, a monster that ate seven of one couple&#8217;s eight daughters before Susanoo got it drunk on eight vats of sake and cut it apart. The sword Kusanagi was inside its middle tail.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Is_Susanoo_the_same_god_as_Gozu_Tenno\"><\/span>Is Susanoo the same god as Gozu Tenno?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>They were treated as the same deity for centuries. Gozu Tenno was a pestilence god venerated at Yasaka Shrine in Kyoto and Tsushima Shrine in Aichi from the Heian period, and the merger with Susanoo is explicit in Kamakura period sources and implied in the Nara period Bingo Fudoki. The Meiji separation of Shinto and Buddhism in 1868 pulled the two identities apart, and the shrines kept Susanoo.<\/p>\n<p><script type=\"application\/ld+json\">\n{\"@context\": \"https:\/\/schema.org\", \"@graph\": [{\"@type\": \"Article\", \"headline\": \"Susanoo no Mikoto: Japan's Storm God and the Serpent He Killed\", \"description\": \"Susanoo no Mikoto is Japan's god of storms and the sea. 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